When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month.
Nastasia Philipovna’s eyes were flashing in a most unmistakable way, now; and her lips were all a-quiver by the time Totski finished his story.
“He declares that your humbug of a landlord revised this gentleman’s article--the article that was read aloud just now--in which you got such a charming dressing-down.”
| “No, you’re not to drink any more, Hippolyte. I won’t let you.” The prince moved the glass away. |
| “Yes, but the prince told us about the donkey very cleverly, all the same,” said Alexandra. “I have always been most interested to hear how people go mad and get well again, and that sort of thing. Especially when it happens suddenly.” |
Muishkin remembered the doctor’s visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.
| Rogojin took the chair offered him, but he did not sit long; he soon stood up again, and did not reseat himself. Little by little he began to look around him and discern the other guests. Seeing Gania, he smiled venomously and muttered to himself, “Look at that!” |
He drew a long, deep breath of relief, as it seemed. He realized that all was not over as yet, that the sun had not risen, and that the guests had merely gone to supper. He smiled, and two hectic spots appeared on his cheeks.
| “Why--is he here?” |
Mrs. Epanchin had approached Hippolyte and seized him firmly by the arm, while her eyes, blazing with fury, were fixed upon his face.
| “It’s only a couple of yards,” said Colia, blushing. |
| “Not for the world, not for the world! I merely wish to make him ashamed of himself. Oh, prince, great though this misfortune be to myself, I cannot help thinking of his morals! I have a great favour to ask of you, esteemed prince; I confess that it is the chief object of my visit. You know the Ivolgins, you have even lived in their house; so if you would lend me your help, honoured prince, in the general’s own interest and for his good.” |
| Another guest was an elderly, important-looking gentleman, a distant relative of Lizabetha Prokofievna’s. This gentleman was rich, held a good position, was a great talker, and had the reputation of being “one of the dissatisfied,” though not belonging to the dangerous sections of that class. He had the manners, to some extent, of the English aristocracy, and some of their tastes (especially in the matter of under-done roast beef, harness, men-servants, etc.). He was a great friend of the dignitary’s, and Lizabetha Prokofievna, for some reason or other, had got hold of the idea that this worthy intended at no distant date to offer the advantages of his hand and heart to Alexandra. |
“I did not come to marry at all,” replied the prince.
| In inexpressible agitation, amounting almost to fear, the prince slipped quickly away from the window, away from the light, like a frightened thief, but as he did so he collided violently with some gentleman who seemed to spring from the earth at his feet. |
| “Why? Do you know anything about it? Look here,” continued the general, more agitated than ever, and trembling with excitement, “maybe I have been letting the cat out of the bag too freely with you, if so, it is because you are--that sort of man, you know! Perhaps you have some special information?” |
“But, my dear fellow, what are you doing, what do you mean?”
“But what have I done? What is his grievance?” asked Hippolyte, grinning.
“Quite so--quite so! But this is all mere nonsense. I came here to speak of something quite different, something very important, prince. And I have determined to come to you as to a man in whose sincerity and nobility of feeling I can trust like--like--are you surprised at my words, prince?”“Why should I? I’ve given you the message.--Goodbye!”
| He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it. |
| “If you came without knowing why, I suppose you love her very much indeed!” she said at last. |
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
“What, has she been here?” asked the prince with curiosity.
| No! he did not account her a child. Certain of her looks, certain of her words, of late, had filled him with apprehension. At times it had struck him that she was putting too great a restraint upon herself, and he remembered that he had been alarmed to observe this. He had tried, all these days, to drive away the heavy thoughts that oppressed him; but what was the hidden mystery of that soul? The question had long tormented him, although he implicitly trusted that soul. And now it was all to be cleared up. It was a dreadful thought. And “that woman” again! Why did he always feel as though “that woman” were fated to appear at each critical moment of his life, and tear the thread of his destiny like a bit of rotten string? That he always _had_ felt this he was ready to swear, although he was half delirious at the moment. If he had tried to forget her, all this time, it was simply because he was afraid of her. Did he love the woman or hate her? This question he did not once ask himself today; his heart was quite pure. He knew whom he loved. He was not so much afraid of this meeting, nor of its strangeness, nor of any reasons there might be for it, unknown to himself; he was afraid of the woman herself, Nastasia Philipovna. He remembered, some days afterwards, how during all those fevered hours he had seen but _her_ eyes, _her_ look, had heard _her_ voice, strange words of hers; he remembered that this was so, although he could not recollect the details of his thoughts. |
“Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.”
“Then I read it,” said Hippolyte, in the tone of one bowing to the fiat of destiny. He could not have grown paler if a verdict of death had suddenly been presented to him. In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”“Ardalion Alexandrovitch Ivolgin,” said the smiling general, with a low bow of great dignity, “an old soldier, unfortunate, and the father of this family; but happy in the hope of including in that family so exquisite--”