“Yes, but the prince told us about the donkey very cleverly, all the same,” said Alexandra. “I have always been most interested to hear how people go mad and get well again, and that sort of thing. Especially when it happens suddenly.”
“No... I wish... to visit Madame Terentieff, the widow of Captain Terentieff, my old subordinate and friend. She helps me to keep up my courage, and to bear the trials of my domestic life, and as I have an extra burden on my mind today...”
Muttering these disconnected words, Rogojin began to make up the beds. It was clear that he had devised these beds long before; last night he slept on the sofa. But there was no room for two on the sofa, and he seemed anxious that he and the prince should be close to one another; therefore, he now dragged cushions of all sizes and shapes from the sofas, and made a sort of bed of them close by the curtain. He then approached the prince, and gently helped him to rise, and led him towards the bed. But the prince could now walk by himself, so that his fear must have passed; for all that, however, he continued to shudder.
“I don’t know, really, whether I shall be allowed in at all. If she will receive me, so much the better. If not, the matter is ended. As to my clothes--what can I do?”
It seemed clear to the prince that Aglaya forgave him, and that he might go there again this very evening; and in his eyes that was not only the main thing, but everything in the world.

When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month.

Nastasia Philipovna’s eyes were flashing in a most unmistakable way, now; and her lips were all a-quiver by the time Totski finished his story.

This was the note:

“He declares that your humbug of a landlord revised this gentleman’s article--the article that was read aloud just now--in which you got such a charming dressing-down.”

There are certain people of whom it is difficult to say anything which will at once throw them into relief--in other words, describe them graphically in their typical characteristics. These are they who are generally known as “commonplace people,” and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself.
“No, you’re not to drink any more, Hippolyte. I won’t let you.” The prince moved the glass away.
When they were almost arrived at Daria Alexeyevna’s house (it was a large wooden structure of ancient date), a gorgeously-dressed lady and a young girl came out of it. Both these ladies took their seats in a carriage, which was waiting at the door, talking and laughing loudly the while, and drove away without appearing to notice the approaching couple. “Why should I be offended?”
“Yes, but the prince told us about the donkey very cleverly, all the same,” said Alexandra. “I have always been most interested to hear how people go mad and get well again, and that sort of thing. Especially when it happens suddenly.”

Muishkin remembered the doctor’s visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.

Rogojin took the chair offered him, but he did not sit long; he soon stood up again, and did not reseat himself. Little by little he began to look around him and discern the other guests. Seeing Gania, he smiled venomously and muttered to himself, “Look at that!”

He drew a long, deep breath of relief, as it seemed. He realized that all was not over as yet, that the sun had not risen, and that the guests had merely gone to supper. He smiled, and two hectic spots appeared on his cheeks.

“Why--is he here?”
“No, I know nothing whatever about it. I assure you I had nothing at all to do with it.”

Mrs. Epanchin had approached Hippolyte and seized him firmly by the arm, while her eyes, blazing with fury, were fixed upon his face.

“Very well, but even if we admit that he _was_ alive in 1812, can one believe that a French chasseur pointed a cannon at him for a lark, and shot his left leg off? He says he picked his own leg up and took it away and buried it in the cemetery. He swore he had a stone put up over it with the inscription: ‘Here lies the leg of Collegiate Secretary Lebedeff,’ and on the other side, ‘Rest, beloved ashes, till the morn of joy,’ and that he has a service read over it every year (which is simply sacrilege), and goes to Moscow once a year on purpose. He invites me to Moscow in order to prove his assertion, and show me his leg’s tomb, and the very cannon that shot him; he says it’s the eleventh from the gate of the Kremlin, an old-fashioned falconet taken from the French afterwards.”
So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.
“It’s only a couple of yards,” said Colia, blushing.
Muishkin himself came in very timidly. He seemed to feel his way, and looked in each person’s eyes in a questioning way,--for Aglaya was absent, which fact alarmed him at once.
“Leave off, Colia,” begged the prince. Exclamations arose on all sides.
“My name really is Lukian Timofeyovitch,” acknowledged Lebedeff, lowering his eyes, and putting his hand on his heart.
“That’s true enough, he’ll have lots before evening!” put in Lebedeff.
“Not for the world, not for the world! I merely wish to make him ashamed of himself. Oh, prince, great though this misfortune be to myself, I cannot help thinking of his morals! I have a great favour to ask of you, esteemed prince; I confess that it is the chief object of my visit. You know the Ivolgins, you have even lived in their house; so if you would lend me your help, honoured prince, in the general’s own interest and for his good.”
Another guest was an elderly, important-looking gentleman, a distant relative of Lizabetha Prokofievna’s. This gentleman was rich, held a good position, was a great talker, and had the reputation of being “one of the dissatisfied,” though not belonging to the dangerous sections of that class. He had the manners, to some extent, of the English aristocracy, and some of their tastes (especially in the matter of under-done roast beef, harness, men-servants, etc.). He was a great friend of the dignitary’s, and Lizabetha Prokofievna, for some reason or other, had got hold of the idea that this worthy intended at no distant date to offer the advantages of his hand and heart to Alexandra.

“I did not come to marry at all,” replied the prince.

In inexpressible agitation, amounting almost to fear, the prince slipped quickly away from the window, away from the light, like a frightened thief, but as he did so he collided violently with some gentleman who seemed to spring from the earth at his feet.
“I have waited for you with the greatest impatience (not that you were worth it). Every night I have drenched my pillow with tears, not for you, my friend, not for you, don’t flatter yourself! I have my own grief, always the same, always the same. But I’ll tell you why I have been awaiting you so impatiently, because I believe that Providence itself sent you to be a friend and a brother to me. I haven’t a friend in the world except Princess Bielokonski, and she is growing as stupid as a sheep from old age. Now then, tell me, yes or no? Do you know why she called out from her carriage the other night?”
“What have you done?” he hissed, glaring at her as though he would like to annihilate her on the spot. He was quite beside himself, and could hardly articulate his words for rage.
“Why? Do you know anything about it? Look here,” continued the general, more agitated than ever, and trembling with excitement, “maybe I have been letting the cat out of the bag too freely with you, if so, it is because you are--that sort of man, you know! Perhaps you have some special information?”
“You’ll take me as I am, with nothing?”

“But, my dear fellow, what are you doing, what do you mean?”

“Do you wish me to beg pardon of this creature because she has come here to insult our mother and disgrace the whole household, you low, base wretch?” cried Varia, looking back at her brother with proud defiance.

“But what have I done? What is his grievance?” asked Hippolyte, grinning.

“Quite so--quite so! But this is all mere nonsense. I came here to speak of something quite different, something very important, prince. And I have determined to come to you as to a man in whose sincerity and nobility of feeling I can trust like--like--are you surprised at my words, prince?”
It would be difficult to describe the animation and high spirits which distinguished the prince for the rest of the evening.
XV.

“Why should I? I’ve given you the message.--Goodbye!”

Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.
“I am going away tomorrow, as you bade me--I won’t write--so that this is the last time I shall see you, the last time! This is really the _last time!_”
“But let me resume.”
He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.
“If you came without knowing why, I suppose you love her very much indeed!” she said at last.
“No--and I don’t want one,” said the prince, laughing. “But, my dear fellow, what are you doing, what do you mean?”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Do not distress yourself, Aglaya Ivanovitch,” he answered calmly; “your mother knows that one cannot strike a dying man. I am ready to explain why I was laughing. I shall be delighted if you will let me--”

“What, has she been here?” asked the prince with curiosity.

“I did not rise from my bed, and I don’t know how long I lay with my eyes open, thinking. I don’t know what I thought about, nor how I fell asleep or became insensible; but I awoke next morning after nine o’clock when they knocked at my door. My general orders are that if I don’t open the door and call, by nine o’clock, Matreona is to come and bring my tea. When I now opened the door to her, the thought suddenly struck me--how could he have come in, since the door was locked? I made inquiries and found that Rogojin himself could not possibly have come in, because all our doors were locked for the night.
Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.
No! he did not account her a child. Certain of her looks, certain of her words, of late, had filled him with apprehension. At times it had struck him that she was putting too great a restraint upon herself, and he remembered that he had been alarmed to observe this. He had tried, all these days, to drive away the heavy thoughts that oppressed him; but what was the hidden mystery of that soul? The question had long tormented him, although he implicitly trusted that soul. And now it was all to be cleared up. It was a dreadful thought. And “that woman” again! Why did he always feel as though “that woman” were fated to appear at each critical moment of his life, and tear the thread of his destiny like a bit of rotten string? That he always _had_ felt this he was ready to swear, although he was half delirious at the moment. If he had tried to forget her, all this time, it was simply because he was afraid of her. Did he love the woman or hate her? This question he did not once ask himself today; his heart was quite pure. He knew whom he loved. He was not so much afraid of this meeting, nor of its strangeness, nor of any reasons there might be for it, unknown to himself; he was afraid of the woman herself, Nastasia Philipovna. He remembered, some days afterwards, how during all those fevered hours he had seen but _her_ eyes, _her_ look, had heard _her_ voice, strange words of hers; he remembered that this was so, although he could not recollect the details of his thoughts.
The officer, tearing himself from the prince’s grasp, pushed him so violently backwards that he staggered a few steps and then subsided into a chair.

“Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.”

“Then I read it,” said Hippolyte, in the tone of one bowing to the fiat of destiny. He could not have grown paler if a verdict of death had suddenly been presented to him. In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”

“Ardalion Alexandrovitch Ivolgin,” said the smiling general, with a low bow of great dignity, “an old soldier, unfortunate, and the father of this family; but happy in the hope of including in that family so exquisite--”